DETROIT (May 14, 2010) – The Damon J. Keith Center for Civil Rights is pleased to announce that the Marching Toward Justice exhibit will be on display at the Detroit Public Library from May 15 to June 25, 2010. Marching Toward Justice is part of the Damon J. Keith Law Collection of African American Legal History, a central repository for the nation’s African American legal history. The exhibit will be displayed on the first floor of the library, in the Cass Concourse, and is free and open to the public.
The exhibit coincides with the groundbreaking of the Damon J. Keith Center for Civil Rights on Wayne State University’s campus. The May 17 ceremony will feature The Honorable Eric H. Holder, Jr., Attorney General of the United States, as the keynote speaker. It will also bring together a large number of dignitaries, including The Honorable Damon J. Keith, Governor Jennifer Granholm, Detroit Mayor Dave Bing, A. Alfred Taubman, Edsel B. Ford II, WSU Board of Governors members, WSU President Jay Noren, Wayne Law Dean Robert M. Ackerman, and a number of additional judges and elected officials.
"We wanted to have the Marching Toward Justice exhibit available in Detroit at the same time as the groundbreaking for the new Keith Center,” said Wayne State University Law School Professor and Keith Center Director Peter Hammer. “The Keith Collection of African American Legal History is integral to the work of the Damon J. Keith Center for Civil Rights. The historic challenges detailed in Marching Toward Justice help us define the present-day civil rights agenda.”
The Marching Toward Justice exhibit was created by the Keith Collection to inform the public about the fundamental importance of the 14th Amendment and our nation's ongoing quest to realize the high ideals of the Declaration of Independence. It tells the story of our government's promotion of justice and equality for some, while condoning the enslavement of others.
The 14th Amendment's ratification in 1868 created a dramatic and fundamental break from the past by promising full protection to all American citizens, regardless of race, social status, gender, or conflicting state laws. It was a significant step toward fulfilling the American Revolution's promise that all men are created equal and entitled to full and equal protection under the law.
Since the inaugural exhibition at the Thurgood Marshall Law Center in Washington, D.C., the exhibit has traveled to more than 30 sites, including destinations in San Francisco, Chicago, Topeka, Kan., Boston, Dallas, and the U.S. Virgin Islands.
Please contact Holly Hughes, Keith Center program coordinator, at (313) 577-3620 or hhughes@wayne.edu with questions or to schedule the Marching Toward Justice exhibit in your community.
Wayne State University is a premier urban research university offering more than 350 academic programs through 13 schools and colleges to nearly 32,000 students.
For more information on Wayne State University Law School, visit law.wayne.edu.
Contact: Kristin Copenhaver Voice: 313-577-4834 Email: kcopenhaver@wayne.edu Fax: 313-577-6081
Friday, May 14, 2010
Marching Toward Justice on display at Detroit Public Library May 15 to June 25
Thursday, May 13, 2010
Graduation stories: Jazz legend's critique inspires graduating KU scholar
LAWRENCE – An impromptu critique by jazz legend Wynton Marsalis became a defining moment in high school for a University of Kansas senior who is graduating with two degrees on Sunday, May 16.
Earl Holmes Brooks is earning bachelor’s degrees in American studies from the College of Liberal Arts and Sciences and in saxophone from KU’s School of Music. The oldest of six children, he will become the first male college graduate in his family. He is headed to the University of North Carolina, Chapel Hill, with a fellowship in a doctoral program to study American and African-American literature and jazz.
The next day, Marsalis listened to students play individually at the school. When Brooks began pumping out a tune, Marsalis stopped him, asking what he was trying to do. Later Marsalis took Brooks aside, saying he had talent but lacked a depth of understanding of jazz and its relationship to black Americans. Brooks is African-American.
The advice lingered. Brooks first enrolled at Kansas State University as a music major. After his second year, he transferred to KU to major in music and journalism. When his credits wouldn’t transfer for journalism, an adviser suggested American studies.
Five years later, Brooks is preparing for a career in research and teaching in literature at the university level – a field that is underrepresented by African-American scholars. He wants his work “to change how people think about the past so that the current issues we face in society can be better understood.”
Preparing for his teaching role, Brooks has given talks on jazz to inner-city students in KU’s Upward Bound Program and music lessons to students in his Topeka neighborhood.
He is in the University Honors Program and last fall was nominated to compete for both Rhodes and Marshall scholarships. This spring, he was named to KU’s Men of Merit roster. The College of Liberal Arts and Sciences dean’s office selected Brooks to carry its banner at commencement on the basis of his outstanding academic record. He will lead the largest group in the Class of 2010 in the processional march into Memorial Stadium. He was vice president of the Black Student Union and is a member of three national honor societies including Phi Kappa Phi.
He calls his parents, Earl and Vanessa Brooks of Topeka, rocks of support. His father is employed at Hill’s Pet Nutrition Science Diet and his mother, who earned at degree at Washburn University, is a paraprofessional in the Topeka school district.
“My dad has over 30 years at Hill’s. He has really taught me what it means to be a man and to work every day.”
Brooks financed much of his college education with federal loans, but more than once considered joining the military as an option. His paternal grandfather, the late Charles Holmes, had served in Korea as an Air Force chief master sergeant.
His grandparents have been keys to Brooks becoming the first man in the Brooks family to earn a degree. His maternal great-grandmother, the late Edna Brown of Topeka, instilled his love of reading. “She had her own library of books and encouraged us to read aloud when we came to visit her.”
His paternal grandmother, Mary Jane Brooks, who lives with his family, imparted values that shaped her grandson. “She is the wisest and most hard-working person I have ever met. Her story of the struggles she faced in her life have instilled a lot of values in me. She raised nine kids by herself with only a grade school education and came to Kansas after being raised in the South.”
Beyond family and Marsalis, Brooks says a host of educators have encouraged his aspirations to write and teach about jazz.
His list includes a Highland Park media specialist, Ron Ferrell, who introduced Brooks to African-American writers. Ferrell’s reading list for an independent studies class began with Richard Wright’s “Native Son” and Ralph Ellison’s “Invisible Man.” It included American literary classics such as John Steinbeck’s “Grapes of Wrath” and J.D. Salinger’s “Catcher in the Rye.”
“I loved them all,” Brooks remembered, but “Native Son” was his favorite. He wanted to join the ranks of these classic writers.
At KU, faculty and staff members who have been there for Brooks include: Maryemma Graham, professor of English who offered to become his McNair mentor; Diane Fourny, associate professor in the Western Civilization and Humanities Program and also in French; Nicholas Shump, who directed the Dean’s Scholars Program; Pamela Scott in multicultural affairs; Vince Gnojek, professor of music; and Robert Rodriguez and Allyson Flaster, with the McNair Scholars Program staff.
“Every person gave me something unique to get where I am now,” Brooks said. -30-
The University of Kansas is a major comprehensive research and teaching university. University Relations is the central public relations office for KU's Lawrence campus
kunews@ku.edu | (785) 864-3256 | 1314 Jayhawk Blvd., Lawrence, KS 66045
May 12, 2010 Contact: Mary Jane Dunlap, University Relations, (785) 864-8853
Tuesday, May 11, 2010
New Study Suggests Sickle Cell Disease May Affect Brain Function in Adults
Research to Preserve Cognitive Abilities is Under Way
Sickle cell disease may affect brain function in adults who have few or mild complications of the inherited blood disease, according to results of the first study to examine cognitive functioning in adults with sickle cell disease. The multicenter study, funded by the National Heart, Lung, and Blood Institute (NHLBI), part of the National Institutes of Health, compared brain function scores and imaging tests in adult patients with few sickle cell complications with results in similar adults who did not have the blood disease.
Researchers report that the brain function scores in sickle cell patients were, on average, in the normal range. However, twice as many patients as healthy adults (33 percent versus 15 percent) scored below normal levels. Those who were more likely to score lower were older and had the lowest levels of hemoglobin, the protein in red blood cells that carries oxygen in the blood, compared to sickle cell participants who scored higher. Findings from brain magnetic resonance imaging scans did not explain differences in scores.
More sickle cell disease patients scored lower on measures such as intellectual ability, short-term memory, processing speed, and attention, than participants in the healthy group. The sickle cell disease participants did not have a history of end-organ failure, stroke, high blood pressure, or other conditions that might otherwise affect brain function.
"We need to study whether existing therapies, such as blood transfusions, can help maintain brain function, or perhaps even reverse any loss of function," noted Elliott P. Vichinsky, M.D., of the Children’s Hospital & Research Center Oakland, principal investigator of the study and the lead author of the paper. "These effects were found in patients who have clinically mild sickle cell disease, which raises the question of whether therapies should be given to all patients to help prevent these problems from developing."
Researchers involved in this study are recruiting patients with sickle cell disease into a clinical trial to determine whether blood transfusions may help preserve cognitive function. Participants will receive transfusions every three or four weeks for six months as part of the clinical study. Information about this study can be found at www.clinicaltrials.gov, search for NCT00850018.
Sickle cell disease affects about 70,000 Americans. At one time, many children died from the disease, but new therapies have enabled sickle cell disease patients to live well into middle age or beyond. As more people with sickle cell disease are living into adulthood, health care providers are uncovering previously unrecognized complications.
Studies of brain function in children who have sickle cell disease have suggested that some children with the disease, even if they have not suffered a stroke, have experienced silent brain injury. Others without obvious changes on brain scans may have some level of cognitive dysfunction that seems to worsen with age. Stroke is a common complication of sickle cell disease, and can lead to learning disabilities, lasting brain damage, long-term disability, paralysis, or death.
Sickle cell disease involves an altered gene that produces abnormal hemoglobin. Red blood cells with sickle hemoglobin that have too little oxygen become C-shaped in addition to becoming stiff and sticky. These crescent-shaped cells can clump to block blood flow, causing severe pain and potential organ damage. In the United States, the disease mainly affects those of African descent, but it is also found in other ethnic groups, including those of Hispanic and Middle Eastern descent.
To speak with an NHLBI spokesperson, please contact the NHLBI Communications Office at (301) 496-4236. To speak with Dr. Vichinsky, please contact Erin Goldsmith at 510-428-3367 or email egoldsmith@mail.cho.org.
Part of the National Institutes of Health, the National Heart, Lung, and Blood Institute (NHLBI) plans, conducts, and supports research related to the causes, prevention, diagnosis, and treatment of heart, blood vessel, lung, and blood diseases; and sleep disorders. The Institute also administers national health education campaigns on women and heart disease, healthy weight for children, and other topics. NHLBI press releases and other materials are available online at www.nhlbi.nih.gov.
The National Institutes of Health (NIH) — The Nation's Medical Research Agency — includes 27 Institutes and Centers and is a component of the U.S. Department of Health and Human Services. It is the primary federal agency for conducting and supporting basic, clinical and translational medical research, and it investigates the causes, treatments, and cures for both common and rare diseases. For more information about NIH and its programs, visit www.nih.gov.
For Immediate Release Tuesday, May 11, 2010 Contact: NHLBI Communications Office
301-496-4236
Monday, May 10, 2010
Statement by the President on the Passing of Lena Horne
Michelle and I were deeply saddened to hear about the passing of Lena Horne – one of our nation’s most cherished entertainers. Over the years, she warmed the hearts of countless Americans with her beautiful voice and dramatic performances on screen. From the time her grandmother signed her up for an NAACP membership as a child, she worked tirelessly to further the cause of justice and equality. In 1940, she became the first African American performer to tour with an all white band. And while entertaining soldiers during World War II, she refused to perform for segregated audiences – a principled struggle she continued well after the troops returned home. Michelle and I offer our condolences to all those who knew and loved Lena , and we join all Americans in appreciating the joy she brought to our lives and the progress she forged for our country.
The White House Office of the Press Secretary For Immediate Release May 10, 2010
Sunday, May 9, 2010
White House Drug Policy Director Visits Morehouse School of Medicine To Discuss Substance Abuse Prevention, Intervention, and Treatment
Atlanta, GA. Gil Kerlikowske, Director of National Drug Control Policy (ONDCP), Dr. Sandra Harris-Hooker, Interim Dean of Academic Affairs and Vice President and Senior Associate Dean for Research Affairs at Morehouse School of Medicine, Dr. Gail A. Mattox, Director of the Center for Excellence, and Chair of the Department of Psychiatry and Behavioral Sciences at Morehouse School of Medicine, and Dr. Ileana Arias, Principal Deputy Director of the Centers for Disease Control and Prevention, met to discuss Morehouse School of Medicine’s efforts to train the next generation of medical providers to recognize and refer substance abuse problems, and its role in preventing drug abuse among 18-24 year olds through the Historically Black Colleges and Universities (HBCU) Center for Excellence.
In addition to training some of the country’s best medical practitioners, the Morehouse School of Medicine also houses the HBCU Center for Excellence. With funding from Substance Abuse and Mental Health Services Administration (SAMHSA), this center facilitates coordination among HBCU institutions to support culturally appropriate substance abuse and mental health prevention, treatment, and student health and wellness needs on HBCU campuses.
"I applaud the Morehouse School of Medicine’s leadership in creating the HBCU Center for Excellence," said Kerlikowske. "The Center for Excellence has the opportunity to provide evidence-based substance abuse prevention programs to thousands of students attending the 105 HBCUs across the country."
For more information about the Office of National Drug Control Policy and its programs visit: www.WhiteHouseDrugPolicy.gov
The Office of National Drug Control Policy seeks to foster healthy individuals and safe communities by effectively leading the Nation’s effort to reduce drug use and its consequences. ###
FOR IMMEDIATE RELEASE: CONTACTS: ONDCP Public Affairs 202-395-6618 Katherine Bush (Day of) 202-664-6695
Friday, May 7, 2010
FROM THE GREAT DEBATERS TO EAST COAST TOUR: WILEY COLLEGE A CAPPELLA CHOIR ON THE UNITED METHODIST HOMES OF NJ WEBSITE VIDEO
The Shores at Wesley Manor hosted a concert featuring the world-renowned voices of the Wiley College A Cappella Choir in March. The tour was their first ever on the east coast. Wiley, located in Marshall, Texas, gained worldwide attention with the filming and release of The Great Debaters, which resulted in the choir receiving film credit and CD soundtrack credit for music research on the film.
Dr. James Batten, member of the Wiley College board of trustees and president of United Methodist Homes reflected, "I am proud to introduce and welcome these very talented students to The Shores and the Ocean City, New Jersey community."
The choir delivered an electrifying and moving concert conducted by Director of Music and Visiting Lecturer, Mr. Stephen L. Hayes. Mr. Hayes has conducted at Carnegie Hall, Madison Square Garden and The JFK Center for the Performing Arts.
The choir tour included concerts in Virginia, Delaware, New Jersey, Pennsylvania, District of Columbia, and East Tennessee. Prior to its concert in The Shores' Town Hall, the 28-voice choir performed three pieces in the Rotunda of the skilled nursing residence. Heaven came down—what a sound they made!
The musical repertoire for the tour included a diverse program which highlighted European composers, traditional Negro spirituals, show tunes and contemporary gospel. Mr. Hayes revealed the background on each Negro spiritual, including their origins in the churches and camp meetings in rural Florida, Alabama and Mississippi.
Two special music presentations, introduced specifically for this tour, featured two of Wiley's very own internationally acclaimed composers: Mr. Edward Hammond Boatner, Dean of the Music Department during the 1930's, and Dr. Frederick C. Tillis, a 1956 graduate and former faculty member.
The concert ended with the Battle Hymn of the Republic, accompanied by Assistant Professor of Music Dr. JuYeon Julia Lee on the piano. She has performed widely as a soloist and accompanist in North America and Korea for the past 18 years.
The Wiley College A Cappella Choir has a rich history of singers and composers dating back to the 1800’s. Historical documents reveal the first group of singers, The Wiley Jubilee Singers, was organized in 1897 by R.E. Brown. Wiley College has been a center of learning for African Americans and other minorities for 137 years. Increasingly, students of other races, as well as international students, are finding Wiley an attractive place to acquire a college education.
The college is strongly affiliated with The United Methodist Church. Founded in 1873 by the Freedman's Aid Society of the Methodist Episcopal Church; it is the oldest, continuously operating accredited, historically black college west of the Mississippi River.
Released On: Tuesday, May 04, 2010 Wiley College Public Relations 903-927-3201
Thursday, May 6, 2010
Pitt's African American Alumni Council Names Cochairs for Its Diversity Initiative Fundraising Campaign
New cochairs will lead fundraising efforts for next phase of campaign
PITTSBURGH-The University of Pittsburgh African American Alumni Council (AAAC) has named Louis Kelly (EDUC '77, '78G) and Margaret Larkins-Pettigrew (NURS '76, MED '94) cochairs of the AAAC Scholarship Campaign Steering Committee. During Pitt's 2009 Homecoming, the AAAC publicly launched the $3 million campaign to support diversity initiatives at Pitt as well as for continued student scholarship assistance.
Appointed by AAAC president Linda Wharton-Boyd, Kelly and Larkins-Pettigrew will succeed Doug Browning (A&S '72), who led the AAAC scholarship effort during the initial phase of the campaign through its public launch in October. Kelly and Larkins-Pettigrew served as vice chairs of the AAAC campaign steering committee during Browning's tenure as chair.
The cochairs, along with the AAAC Scholarship Committee, are the primary alumni volunteers responsible for fundraising. In addition to fundraising, the campaign is focusing attention on the strides made in recent years by the University to strengthen support of diversity efforts across all Pitt campuses.
“Doug Browning's steady leadership gave a great start to this important project in its early stages,” said Wharton-Boyd. “I am personally grateful for his commitment to this effort. He dedicated more of his time than he initially set out to give, and for that, we say thank you. As we move forward, we are excited for the next phase of the campaign, and, with Louis and Margaret leading the way, I am confident we will not only achieve our goal for this second phase, but also surpass it.”
Browning is a senior vice president and general counsel at Sandler & Travis Trade Advisory Services Inc., where he helps governments and multinational businesses modernize their customs and security procedures. Named a Pitt Legacy Laureate in 2007, Browning also serves as a director at large for the Pitt Alumni Association.
Kelly has worked for the District of Columbia Superior Court for more than 22 years and currently serves as an educational specialist for education and training at the D.C. Court Systems Center. Licensed and ordained as a minister in 1998, he is currently on the ministerial staff of the Campbell AME Church in Washington, D.C.
Larkins-Pettigrew is a visiting assistant professor at Case Western Reserve University. Throughout her career, she has held numerous medical positions, including program director for global health and reproductive science in Pitt's School of Medicine; assistant director of student health at Tuskegee University; and critical care instructor at Brotman Medical Center. She is the recipient of many awards and honors and a volunteer with several nonprofit organizations worldwide.
The AAAC Campaign is part of the University's Building Our Future Together capital campaign, the most successful fundraising campaign in the history of both Pitt and Southwestern Pennsylvania. To date, the Building Our Future Together campaign has raised more than $1.46 billion.
For more information about supporting the AAAC or to make a gift online, visit www.giveto.pitt.edu http://www.giveto.pitt.edu/ or call 1-800-817-8943.
### 5/6/10/tmw/lks/jdh
FOR IMMEDIATE RELEASE Contact: Patricia Lomando White 412-624-9101 (office); 412-215-9932 (cell) laer@pitt.edu
Wednesday, May 5, 2010
Grambling State to Confer Honorary Degree on Commencement Speaker Muriel Howard
GRAMBLING, LA. --- Dr. Muriel A. Howard has been named commencement speaker for Grambling State University’s spring graduation ceremony. Howard will receive an honorary doctorate during the ceremony which is scheduled to take place at 10:00 a.m. on Saturday, May 15 at the Fredrick C. Hobdy Assembly Center on the Grambling State University campus.
“The honorary degree is the most impressive recognition one can achieve. It denotes that the institution has determined that the recipient possesses the academic and personal values that are consistent with its mission. It also denotes that the person’s accomplishments have exceeded a particular discipline and has excelled in numerous endeavors. Dr.
For Immediate Release: May 5, 2010 Contact:Vanessa Littleton Director of Public Relations GRAMBLING STATE UNIVERSITY MEDIA RELATIONS OFFICE 100 Robinson St.-Old Air Force ROTC Building Grambling, Louisiana 71245 (318) 274-2560 office (318) 533-5337 cell (318) 274-3330 fax
Tuesday, May 4, 2010
Ohio State Enrolls First "Match" Through National Registry
COLUMBUS, Ohio – The Ohio State University Center for Clinical and Translational Science (CCTS) has achieved its first match through ResearchMatch.org, the national, disease-neutral, volunteer recruitment registry.
The volunteer “match” will participate in research led by Dr. Robert Hoffman in pediatric endocrinology at the Ohio State University College of Medicine. Hoffman’s research is exploring metabolic and vascular differences in response to fat and insulin between African-American and Caucasian patients.
Ohio State’s CCTS is one of 51 participants in ResearchMatch.org. The not-for-profit Web site connects researchers from across the country with volunteers who are interested in participating in a research study.
ResearchMatch ‘matches’ any interested individual residing in the United States with researchers approved to recruit potential volunteers through the system. After an individual has self-registered to become a volunteer, ResearchMatch’s security features ensure that personal information is protected until volunteers authorize the release of their contact information to a specific study that may be of interest to them. Volunteers are simply notified electronically that they are a possible match and then make the decision regarding the release of their contact information.
Ohio State’s CCTS was established in 2008 with a $34 million National Institutes of Health CTSA Award. It represents a partnership among Ohio State’s seven health sciences colleges, Nationwide Children’s Hospital and ten other colleges within OSU to synergize efforts in clinical and translational research, and improve the health of individuals and communities. Dr. Rebecca Jackson, professor of internal medicine and associate dean for clinical research, is the principal investigator for Ohio State’s CTSA.
To learn more about Ohio State’s ResearchMatch participation, visit www.ccts.osu.edu or call (614) 293-4198. To learn more about the national effort, visit www.researchmatch.org. # # #
Contact: Doug Flowers Medical Center Communications (614) 293-3737 Doug.Flowers@osumc.edu
Monday, May 3, 2010
Director Of SBU's Center For Public Health And Health Policy Research Named To NYS Minority Health Council
Dr. Melody Goodman Recognized by Governor Patterson, Melody S. Goodman, M.S., Ph.D., Director of the Center for Public Health and Health Policy Research and Assistant Director of Preventive Medicine at Stony Brook University Medical Center, has been named to the New York State Minority Health Council by Governor David Patterson.
The New York State Department of Health, Office of Minority Health, formed a Minority Health Council in1992. Fourteen members are appointed by the governor to a six-year term. The minority health council’s mission is to consider any matter relating to the preservation and improvement of minority health, and it may, from time to time, submit to the commissioner any recommendations relating to the preservation and improvement of minority health.
Dr. Goodman, who received her Ph.D. in Biostatistics from Harvard University in 2006, has taught biostatistics at the Harvard School for Public Health, and worked as a statistical consultant at the Center for Community Based Research, Dana Farber Cancer Institute in Boston. She graduated from Stony Brook University with a B.S. in Applied Mathematics and Statistics/Economics (Summa Cum Laude) in 1999.
One of Dr. Goodman’s objectives has been to uncover the reasons for the health disparities that exist in area communities. She works with community health centers, churches, and other community based organizations within African-American and undeserved communities on Long Island. Her main areas of interest are cancer incidence in minorities, obesity, hypertension, diabetes, asthma and behavioral changes that can reduce the risk of preventable diseases.
“My goal is to bridge the gap between community health needs and public health research by working directly with communities to better understand the health issues, problems or shortcomings they are experiencing, then develop research based on that,” says Dr. Goodman. “Community-based research is a tool that helps us target needed areas of health research for specific populations.”
Dr. Goodman lives in Jamaica, Queens, N.Y. -30-
May 3, 2010 - 2:33:35 PM Contact: Media Relations · 631.444.7880 · FAX: 631.444.8852
Stony Brook University Medical Center· Stony Brook, NY 11794-7755
Saturday, May 1, 2010
Rosenwald Exhibit Will Spotlight African-American Schools
Between 1912 and 1932, philanthropist Julius Rosenwald donated millions of dollars to help develop nearly 5,000 African-American rural schools throughout the South. Shelby County had the largest number of Rosenwald-funded buildings in Tennessee, with 61 schools, four teachers’ homes and three shop buildings.
An exhibit at the University of Memphis will spotlight some of these schools and celebrate the rich heritage of Memphis. “African-American Education in Shelby County: The Rosenwald Schools” will be on display April 26-May 14 at the Ned R. McWherter Library, in the rotunda and on the second floor. An opening reception will be held April 26 at noon on the second floor of the library. The reception and exhibit are free and open to the public.
Born in 1863 in Springfield, Ill., Rosenwald was a noted businessman and philanthropist. He started his career as a clothing manufacturer and later became a part owner of Sears Roebuck and Co. The company prospered under his leadership, and he was named president in 1908. The millions of dollars he earned during his 16 years of service were returned in large measure to the American public.
Rosenwald began his substantial contribution to African-American education in 1911 when he formed a partnership with Booker T. Washington. Together they established the Julius Rosenwald Fund that aimed to provide a quality education to African-American children in the rural South.
The exhibit is made possible with the support of the Department of Art and the McWherter Library. Following the exhibition, the resource materials and historical information will be accessible to the public in the Special Collections Department of the library.
For more information, contact Jenny Hornby at 573-620-4709 or jenny_hornby@hotmail.com, or Tom Mendina at 901-678-4310 or tmendina@memphis.edu.
Friday, April 30, 2010
Pitt African American Alumni Council Honors Provost James V. Maher and 2010 Graduates During 6th Annual Interfaith Baccalaureate Service May 1
Pitt Chancellor Mark A. Nordenberg to deliver special greetings during the service
PITTSBURGH-The leadership of the University of Pittsburgh African American Alumni Council (AAAC) will honor Pitt Provost and Senior Vice Chancellor James V. Maher during the council's 6th Annual Interfaith Baccalaureate Service at 3:30 p.m. tomorrow, May 1, in the Lower Lounge of the University's William Pitt Union, 3959 Fifth Ave., Oakland. The free public service celebrates academic achievement and honors graduating seniors and their families.
Pitt Chancellor Mark A. Nordenberg will deliver greetings and special remarks on behalf of the University; he also will greet students and their families after the ceremony. Dr. Maher, who announced in November that he would leave his current position and return to the Pitt faculty at the beginning of the next academic year or as soon after that as his successor can be in place, will be present to receive the AAAC's special recognition. Pitt Vice Chancellor for Public Affairs Robert Hill will serve as Master of Ceremonies for the event.
The baccalaureate message, titled “A Time of Change: Challenges and Opportunities,” will be delivered by Ryan Parker, director of health sciences diversity for Pitt's schools of the health sciences.
Provost Maher is widely credited with helping to lead the University through a period of unparalleled progress. He has been Pitt's chief academic officer since 1994. During his years as provost, the University has made significant strides on wide-ranging fronts, including dramatically increasing applications for admission; elevating the academic credentials of admitted students and boosting enrollments; promoting instructional innovation and supporting the creative use of new teaching technologies; adding substantially to on-campus housing capacity and enriching the quality of student life; enhancing overall research strength while moving into critical new areas of inquiry and creating programs for the commercialization of technology; designing and implementing plans for the development of facilities and infrastructure that would support academic ambitions while maintaining fiscal discipline; and reaching out to alumni, donors, and other friends in markedly more effective ways.
The word baccalaureate is steeped in academic tradition. In use since at least the eighth century, baccalaureate has come to refer not only to the degree that is awarded at Commencement, but also to the spirituality that is part of achievement and aspiration. Following this year's celebration, the AAAC's Annual Senior Recognition Dinner will be held for graduates and their families.
For additional information about Baccalaureate, contact Valerie Njie at 412-779-2866 or vnjie@mcg-btc.org.
News From Pitt FOR IMMEDIATE RELEASE April 30, 2010 Contact: Robert Hill
412-624-8891 (office); 412-736-9532 (cell) hillr@pitt.edu
Wednesday, April 28, 2010
Jimi Hendrix's Personal Items Arrive at the Smithsonian’s National Museum of the American Indian
Personal items belonging to Jimi Hendrix arrived today accompanied by his sister, Janie Hendrix. The items include a colorful patchwork full-length leather coat, a leather necklace and a leather pouch. These are among the very few of the rock legend’s possessions sent home to his family from his apartment in New York after he died on Sept. 18, 1970. Though Hendrix’s father asked that all of his son’s belongings be sent home to Seattle, including a hundred guitars, scant few arrived. The coat was an obvious favorite of Hendrix’s, as seen from the deep creases around the elbows, dark demarcation sweat lines and well-worn hem; until today, the coat has never been displayed nor have photos of it been published.
The coat is the signature piece in the upcoming exhibition, “Up Where We Belong: Native Musicians in Popular Culture,” which opens Thursday, July 1.
Photo Credit: Katherine Fogden, Smithsonian’s National Museum of the American Indian | This exhibition examines Native people who have been active participants in contemporary music for nearly a century. Hendrix’s grandmother was Cherokee and his family continues to recognize and honor this heritage to this day. The exhibition will show how his identity contributed to his artistry and how he in turn influenced a whole generation of musicians—including some of the biggest acts in rock and roll. Other original items, and a Fender Stratocaster guitar reproduction of the one he played at the Monterey International Pop Festival in 1967 and a Gibson Flying V guitar reproduction that features artwork that appeared on the original, may also be highlighted in the exhibition. # # # SI-195-2010 Media Only Eileen Maxwell (202) 633-6615 maxwelle@si.edu Leonda Levchuk (202) 633-6613 levchukl@si.edu |
Tuesday, April 27, 2010
Rensselaer Polytechnic Institute Appoints Veteran Development Executive as New Vice President for Institute Advancement
Currently Serving as CEO of Washington State University Foundation, Brenda Wilson-Hale Will Join Rensselaer on July 1
Brenda Wilson-Hale, currently chief executive officer of the Washington State University Foundation and vice president for university development, will join Rensselaer Polytechnic Institute as vice president for institute advancement on July 1, Rensselaer President Shirley Ann Jackson announced today.
In her new role, Wilson-Hale will direct all of the Institute’s fundraising and alumni relations activities.
In her role at Washington State University, Wilson-Hale oversaw a strategic reorganization of the development function and directed efforts to raise some $250 million during the 2008 and 2009 fiscal years – the two most successful fundraising years ever there. Prior to joining Washington State University in March 2007, Wilson-Hale served as senior director of development at the Eli Broad School of Business at Michigan State University. While there, she helped the university complete the remaining $125 million goal of an overall $1.2 billion campaign.
Wilson-Hale has also served in senior development positions at DePaul University, Morehouse School of Medicine, Spelman College, the National Black Arts Festival, the Museum of African-American History in Detroit, and the University Cultural Center Association in Detroit. Earlier in her career, she served in positions at AAA Michigan, Grace Hospital in Detroit, and Michigan Bell Telephone/AT&T.
Wilson-Hale earned her bachelor of arts degree in journalism from Wayne State University in 1973. She went on to earn her juris doctor degree from Wayne State in 1992.
Among her professional affiliations, Wilson-Hale is a member of Association of Fundraising Professionals and the Council for Advancement and Support of Education.
Published April 27, 2010. Contact: Mark Marchand Phone: (518) 276-6098 E-mail: marchm3@rpi.edu
Monday, April 26, 2010
Retired J.C. Penney executive Edward Howard to deliver keynote speech at Marshall’s Donning of Kente
HUNTINGTON, W.Va. – Marshall University alumnus Edward Howard, retired Senior Vice President and Regional Manager of J.C. Penney Company, Inc.’s West Region, will be the keynote speaker at the annual Donning of Kente Celebration of Achievement Thursday, April 29 at Marshall University.
The traditional and historical event, presented by Marshall’s Center for African American Students’ Programs, begins at 4 p.m. on Buskirk Field on MU’s Huntington campus. The celebration and cap-and-gown ceremony will commence with a processional that will include graduating students, university deans and Marshall President Stephen J. Kopp.
“Since graduating from Marshall University in 1965, Mr. Howard has climbed the ladder of success in the corporate world,” Cooley said of the Beckley, W.Va., native. “It has been an incredible journey for this son of a coal miner, who started his professional career in 1965 as a trainee at J.C. Penney in Huntington and in 1990, became the first African-American to enter the company’s officer ranks when he was elected Vice President and Director of Investor Relations. I am certain Mr. Howard will deliver an inspirational message that our graduates will remember the rest of their lives.”
Howard currently lives in Scottsdale, Ariz. He is a member of the Marshall University Board of Governors and is former president of Marshall’s Society of Yeager Scholars Board of Directors. He received an honorary doctoral degree from Marshall in 2002 and is a member of the Elizabeth McDowell Lewis College of Business Hall of Fame. Howard also was a founding member and president of Kappa Alpha Psi Fraternity at Marshall.
The following woven cloths will be awarded during the Donning of Kente celebration: Owia Repue for associate degrees; Babadua for bachelor’s degrees; Kyemfere for master’s degrees; and Akyem Shield for post-master’s degrees.
African music will be provided by the Marshall University African Dance and Drum ensemble. A reception will follow on the Memorial Student Center plaza for all participants and those in attendance.
In the event of rain, the ceremony will take place in the Don Morris Room in the Memorial Student Center.
FOR IMMEDIATE RELEASE Monday, April 26, 2010 Contact: Dave Wellman, Director of Communications (304) 696-7153
For further information, contact: Office of University Communications Marshall University | 213 Old Main | Huntington, WV 25755-1090 Fax: (304) 696-3197
Sunday, April 25, 2010
African-American Babies and Boys Least Likely to Be Adopted, Study Shows
Chance of adoption also drops after baby’s birth, say economists from Caltech, NYU, and the London School of Economics.
PASADENA, Calif.— Parents pursuing adoption within the United States have strong preferences regarding the types of babies they will apply for, tending to choose non-African-American girls, and favoring babies who are close to being born as opposed to those who have already been born or who are early in gestation. These preferences are significant, according to the findings of a team of economists from the California Institute of Technology (Caltech), the London School of Economics, and New York University (NYU), and can be quantified in terms of the amount of money the potential adoptive parents are willing to pay in finalizing their adoption.
While the data are intriguing, the real value of the study, the researchers say, is that it can give policymakers a more rational, evidence-driven base from which to consider the implications of policies and laws, such as those that restrict adoption by single-sex and foreign couples.
The key to these findings, the research team says, was the data set they were able to put together. "These data are unique," says Leeat Yariv, associate professor of economics at Caltech.
What makes them so unusual? Detailed data on adoption generally are difficult to come by. The researchers, however, were able to gather information—from a website run by an adoption intermediary—over a five-year period (between 2004 and 2009). The intermediary works to bring together—to match—potential adoptive parents with birth mothers seeking to relinquish their children for adoption.
Achieving such a match is not an easy task, says Leonardo Felli, professor of economics at the London School of Economics. He notes that adoption in the United States has "been characterized, for years, by two conflicting imbalances: On the one hand, a considerable number of potential adoptive parents are left unmatched. On the other hand, the number of children who are not adopted and end up in the foster-care system is disproportionately high."
Hence the need for adoption facilitators, says Yariv. "The website operates somewhat like an online real estate site," she explains. "We could see the attributes of the children—race, gender, age—and even the finalization costs, or the amount of money the adoptive parent would need to pay to finalize the adoption. In addition, we could see which children the potential adoptive parents applied for."
In other words, the team could see which babies attracted interest from potential adoptive parents, and determine which traits were most likely to lead to a successful adoption. This revealed three main patterns.
First, the researchers found that a non-African-American baby is seven times more likely to "attract the interest and attention of potential adoptive parents than an African-American baby," says Felli. This difference, he adds, is not seen when comparing parents' preferences for Caucasian versus Hispanic babies—a finding that is somewhat surprising, given that the adoptive parents in the sample are all Caucasian.
The second pattern shown was the gender preference. "A girl has a higher—by slightly more than one-third—chance of attracting the attention of potential adoptive parents than a boy," says Felli.
The preference for girls is arguably unexpected. "With biological children, the literature shows that there's a slight but significant preference for boys over girls," says Yariv. "But, in adoption, there's a very strong preference for girls over boys."
These preferences come with what is essentially a price tag, the researchers note. The data showed that parents are willing to pay an average of $16,000 more in finalization costs for a girl as opposed to a boy, says Yariv—and $38,000 more for a non-African-American baby than for an African-American baby.
Mariagiovanna Baccara, assistant professor at NYU's Stern School of Business, says these results are especially interesting because "the same race and gender biases persist across all categories of adoptive parents that we identified." In fact, she says, "the gender bias in favor of girls is somewhat stronger for both gay men and lesbian couples."
The researchers also found that the interest of potential adoptive parents in a particular baby depends on the stage of gestation. "While unborn children become increasingly attractive over the birth mother's pregnancy, probably because the match involves less uncertainty from the adoptive parents' perspective," says Baccara, "we find that the desirability of a child decreases dramatically right after birth." This means, Baccara adds, that “bureaucratic obstacles disrupting an adoption plan at the time of birth are extremely detrimental to the future prospects of the child.”
The economists feel their data should be used to address some of the existing political debates concerning the U.S. domestic adoption process.
The first involves the restrictions some states impose on same-sex and single-parent adoptions; the second involves the 2008 Hague treaty, which placed significant roadblocks in the path of potential parents from other countries who want to adopt children from the United States.
To assess the impact these restrictions have on the successful placement of children for adoption, the researchers turned to the data they had collected.
In one analysis, the researchers dropped all same-sex parents from their data set. When they did this, the number of successful matches dropped too—by 6 percent. "This is a substantial amount," says Felli, "considering that only 18 percent of the birth mothers in our pool allow adoption by same-sex couples in the first place."
Excluding foreign parents from the pool had an even greater effect—producing a 33 percent decline in the number of babies successfully placed with an adoptive family.
Yariv thinks this remarkably steep decline may have to do with the fact that foreign parents have "more flexible" preferences.
"These data suggest that caution should be used in some of these political debates," says Felli. "When asking whether adopted children should find a home with a single-sex or foreign family as opposed to a U.S. heterosexual family, one should account for the considerable chance that the child in question may not be matched with a family at all and will end up in foster care instead."
"And statistically," Yariv adds, "long-term foster care leads to bad outcomes."
To see how such bad outcomes can be avoided the team will look at alternatives to the U.S. adoption system.
"In most European countries," Yariv explains, "there’s a more centralized system, where effectively a judge makes the matches. We'd like to see how much efficiency we'd gain or lose by looking at intermediate levels of this kind of centralization."
The paper, "Gender and Racial Biases: Evidence from Child Adoption," was also coauthored by Allan Collard-Wexler of NYU's Stern Business School.
An abstract of the paper, released by London's Centre for Economic Policy Research, can be found at www.cepr.org/pubs/new-dps/dplist.asp?dpno=7647. The full, unpublished, text of the paper can be found at www.hss.caltech.edu/~lyariv/Papers/Adoption.pdf.
04/20/10 Contact: Lori Oliwenstein (626) 395-3631 lorio@caltech.edu
Caltech Media Relations prmedia@caltech.edu 1200 E. California Blvd, MC 0-71, Pasadena, CA 91125 Tel: 626.395.3226 | Fax: 626.577.5492
Saturday, April 24, 2010
'Beyond Obama' panel to discuss black political leadership in America
A panel discussion titled "Beyond Obama: Rethinking Black Political Leadership in America" is scheduled for 4:30 p.m. Thursday, April 29, at 58 Prospect Ave., Room 105, on the Princeton University campus. The event is free and open to the public.
The discussion will look at the state of black politics following the election of President Barack Obama, which has furthered the discourse concerning a generational shift among African American elected officials. The event is sponsored by Princeton's Fields Center for Equality and Cultural Understanding.
Moderated by Andra Gillespie, a visiting fellow at Princeton's Center for African American Studies and an assistant professor of politics at Emory University, the forum will seek to answer many of the questions raised by the ascent of African American political leaders beginning in the mid-20th century.
A book signing will follow the talk.
For immediate release: April 22, 2010 Media contact: Christie Agawu, (609) 258-5494, agawu@princeton.edu
News from PRINCETON UNIVERSITY Office of Communications 22 Chambers St. Princeton, New Jersey 08542 Telephone (609) 258-3601; Fax (609) 258-1301
UCLA book 'Black Los Angeles' chronicles city's African American history, issues
California's anti–gay marriage intitiative Proposition 8 ignited a debate within Los Angeles' African American gay and lesbian communities: Should black same-sex couples come out to family and friends to help garner support for gay marriage, or should they continue to take a "don't ask, don't tell" approach?
"Some in the community were becoming more supportive of gay sexuality as an identity status that could exist alongside a strong racial-group affinity. Others were holding fast to religious and cultural ideologies that reduced gay sexuality to an immoral behavior and thus not a valid identity status," says Mignon R. Moore, a UCLA sociologist and professor of African American studies whose research — along with the work of more than two dozen other scholars — appears a new book that sheds light on black Los Angeles.
"Black Los Angeles" is the culmination of eight years of research the center conducted on African American communities in the region.
Hunt and Ramón were motivated to edit the book because they noticed a dearth of research that connected the dots between the past, present and future of black life in the Los Angeles. They met with scholars and community members to discuss what topics the book should include and then enlisted 23 experts to contribute chapters for the book.
"The chapters are interconnected by themes such as political participation, social justice, religious life, cultural production, and communities and neighborhoods, while individually featuring in-depth analyses of an issue or an episode in black Los Angeles," Ramón says. "We are proud to present a book that is both accessible and relevant to community members, students and scholars."
In the book's "Space" section, which deals with the history and geography of African Americans in Los Angeles, Paul Robinson, a geographer and assistant professor at Charles R. Drew University of Medicine and Science, notes that when El Pueblo de Nuestra Señora de la Reina de Los Angeles — the Spanish town that would eventually become the city Los Angeles — was established in 1781, the majority of its original settlers (26 of 46) had African ancestry.
These original settlers came from areas that are now states in western Mexico, a region where the Spanish empire relied heavily on African and mulatto populations as soldiers and laborers in agriculture and mining. By 2008, nearly 950,000 African Americans lived in Los Angeles County, making it home to the second largest number of African Americans in the nation.
Although 6 percent of black residents left the county in the 1990s, many in search of more affordable housing and a safer environment for their families, the population grew by 1 percent between 2000 and 2008, Robinson notes. Black immigrants from the Caribbean, Africa and the Americas are spurring the growth.
"The African-origin population of Los Angeles has always been diverse, but never as diverse as it had become by the first decade of the 2000s," Robinson writes.
By 2008, there were an estimated 90,000 persons of sub-Saharan and/or Caribbean ancestry living in Los Angeles County, constituting nearly 10 percent of the county's total black population.
"As the county's non-native population grew throughout the decade, the diverse groups comprising it increasingly challenged common assumptions about the people and spaces comprising 'Black Los Angeles,'" Robinson writes.
Reginald Chapple, former president and CEO of the Dunbar Economic Development Corp. and a UCLA doctoral candidate in anthropology, recounts the development of Central Avenue from 1900 to 1950 as a center of African American culture and of Leimert Park Village, the current black enclave. And Andrew Deener, an assistant professor of sociology at the University of Connecticut, examines the rise and decline of Los Angeles' only black community by the sea, Oakwood, in the Venice area.
In the book's "People" section, Jooyoung Lee, a sociologist and postdoctoral fellow in the Robert Wood Johnson Foundation's Health and Society Scholars program at the University of Pennsylvania, examines how some young black males in Los Angeles pursued careers in rapping as a means to economic opportunities that were otherwise absent in their communities.
Alex Alonso, a geographer and gang expert, writes about the influences that led to the rise of black gangs in Los Angeles. The ways in which black families cope with the incarceration of family members is explored by M. Belinda Tucker, a UCLA professor of psychiatry and biobehavorial sciences; Neva Pemberton, a UCLA doctoral candidate in education; Mary Weaver, executive director of Friends Outside in Los Angeles County; Gwendelyn Rivera, a UCLA doctoral student in education; and Carrie Petrucci, a senior research associate with EMT Associates Inc.
In the book's "Image" section, Nancy Wang Yuen, an assistant professor of sociology at Biola University, examines the lack of authentic roles for black actors in film and television; Paul Von Blum, a UCLA senior lecturer in African American studies and communication studies, writes about the rise of black art in Los Angeles after the Watts riots in 1965; and Scot Brown, a UCLA history professor, recounts the case of SOLAR, a black-owned record label that symbolized Los Angeles' rise as the media capital of black America in the latter decades of the 20th century.
The section also looks at the media attention focused on issues in the city's African American communities.
Hunt and Ramón, for example, examine Los Angeles Times' coverage of the controversial demise of Martin Luther King Jr./Charles Drew Medical Center. Dionne Bennett, an anthropologist and assistant professor of African American studies at Loyola Marymount University, writes about media misrepresentations of South Central Los Angeles and how certain films and television programs have contributed to stereotypical views of the area.
Interestingly, Bennett writes, residents had never referred to the area as South Central until the Watts riots of 1965. While there are various versions of how the term came to describe the area, it was officially used in the McCone Commission Report, a document that has been criticized for its superficial discussion of the complex events that shaped the riots, Bennett says.
"In the early twenty-first century, media images of South Central Los Angeles continued to label and limit African Americans," she writes. "These images usually omitted the educational, social and economic diversity of blacks not only in South Central, but throughout Black Los Angeles and ultimately Black America."
In the final section, "Action," Melina Abdullah, an associate professor of pan-African studies at California State University, Los Angeles, and Regina Freer, a professor of politics at Occidental College in Los Angeles, examine the rise of African American female leaders Charlotta Bass, a newspaper editor, publisher, activist and Progressive Party candidate for vice president in 1952, and former California Assembly Speaker Karen Bass, the first African American woman to serve as speaker of a state legislative body.
Sonya Winton, a political scientist and UCLA adjunct professor in African American studies, writes about a movement by the Concerned Citizens of South Central Los Angeles to halt construction of a municipal solid-waste incinerator plant in the 1980s. And Hunt and Ramón recount the efforts of the Alliance for Equal Opportunity in Education to spur UCLA to adopt a revised admissions policy after it was reported that fewer than 100 African Americans enrolled as freshmen in 2006.
The book also includes a chapter on labor issues authored by Edna Bonacich, a professor emeritus of sociology and ethnic studies at UC Riverside; Lola Smallwood-Cuevas and Lanita Morris, labor organizers and project directors with the UCLA Labor Center; Steven C. Pitts, a labor policy specialist with the UC Berkeley Center for Labor Research and Education; and Joshua Bloom, a UCLA doctoral candidate in sociology.
The authors discuss the lack of employment opportunities among Los Angeles' African American working-age population. In 2000, 43 percent were unemployed, while 29 percent were employed in low-wage, dead-end jobs that offered neither retirement nor health benefits.
"It must be noted here that immigrants were not to blame for the crisis in the African American community," the authors write.
While there was indeed job competition between working-class black Angelenos and immigrants, the authors explain that global restructuring, de-industrialization, flexible production and the contracting of services out to independent contractors, in addition to crack and criminalization, were more fundamental causes.
The authors call for a black worker center for Los Angeles, which would aim to increase union membership, participation and leadership among African American workers in the area.
"(The center) would serve as a place to develop ideas for building an alternative economic development plan for Black Los Angeles as a whole," the authors note.
For press copies of "Black Los Angeles: American Dreams and Racial Realities," please contact Letisia Marquez at UCLA Media Relations & Public Outreach at 310-206-3986 or lmarquez@support.ucla.edu.
By Letisia Marquez April 21, 2010 Media Contacts Letisia Marquez, 310-206-3986 lmarquez@support.ucla.edu
Thursday, April 22, 2010
WSU transplant team finds African-American kidney recipients develop non-skin cancers more frequently
African-American kidney transplant recipients develop non-skin cancers more frequently than Caucasian patients, Wayne State University School of Medicine researchers have found.
The findings, published in the April issue of Renal and Urology News, hold important implications for how black kidney transplant recipients are educated about their treatment and their post-operative protocols.
The team noted that physicians have known for quite some time that white kidney recipients demonstrate greater risk for developing skin cancer when compared against the general population. However, this is the first study to find that black patients develop more types of cancers and at significantly greater rates than white patients after receiving a kidney transplant.
The WSU study involved 495 adult black kidney recipients who received their transplants at Harper University Hospital between January 1984 and December 2007. The team compared their patients with 11,155 white kidney recipients in the Canadian Organ Replacement Registry. The incidence of prostate, kidney, pancreatic and esophageal cancers was significantly higher among black kidney recipients.
The research team included Scott Gruber, M.D., Ph.D., M.B.A., professor of surgery and chief of the Section of Transplant Surgery for the Wayne State University School of Medicine; Atul Singh, M.D., assistant professor of internal medicine, Division of Nephrology; Kalyani Mehta, M.D., assistant professor of internal medicine, Division of Nephrology; Miguel West, M.D., associate professor of surgery, Section of Transplant Surgery; Mona Doshi, M.D., assistant professor of internal medicine; Division of Nephrology; and Katherina Morawski, R.N., Department of Internal Medicine, Division of Nephrology.
Dr. Gruber, the lead author who presented the team’s findings at the recent Central Surgical Association’s 66th annual meeting in Chicago, said this is the first study to detail the types of non-skin cancers that are more common in black transplant recipients. He served as program chair of the meeting and presented "Different patterns of cancer incidence among African-American and Caucasian renal allograft recipients."
Dr. Gruber , director of the Organ Transplant Program at Harper University Hospital, said it is not the kidney transplant that makes patients more susceptible to cancers, but the drugs that patients must take to suppress their immune systems to prevent rejection of the kidney weakens the body’s defenses.
The team’s findings can be partly attributed to geography, Dr. Gruber said. “At our transplant center, 84 percent of our kidney transplant recipients are African-American,” he said. “They stay here after the transplant and remain our patients, so we can follow them.”
In other areas of the United States, he said, patients may travel hundreds of miles to receive a kidney transplant, and then return home to be treated by their local nephrologist, losing their connection with the transplant center. In the southeast Michigan region, patients remain in the area and are seen continuously by physicians on the WSU transplant team, who can follow their patients for longer periods and record incidents of cancer development.
Wayne State University is a premier urban research university offering more than 350 academic programs through 13 schools and colleges to nearly 32,000 students.
* Contact: Matt Lockwood
* Voice: (313) 577-9098
* Email: ei1888@wayne.edu
“Grass Roots: African Origins of an American Art” at National Museum of African Art
“Grass Roots: African Origins of an American Art,” a traveling exhibition that tells the story of the beautiful coiled basket, will be on view at the Smithsonian’s National Museum of African Art from June 23 through Nov. 28. “Grass Roots” demonstrates the enduring contribution of African people and culture to American life in the southeastern United States.
The exhibit features about 200 objects, including baskets made in Africa and the American South, African sculptures, paintings from the Charleston Renaissance, historic photography and videos. It traces the history of the coiled basket on two continents and shows how a simple farm tool once used for processing rice has become a work of art and an important symbol of African American identity.
“Visitors will be stopped in their tracks by the exceptional beauty and artistry evident in baskets from Africa and the American South,” said Johnnetta Betsch Cole, director of the museum.
“In addition, they will learn about the important and enduring connections between Africa and the African diaspora, and how the cultivation of rice and the horrors of enslavement played a role in transmitting the knowledge of particular basket-making traditions from the African continent to the American South. Finally, it is my fervent hope that visitors will come away from this exhibition with a deeper awareness of Africa’s global reach and with a genuine appreciation of the cultural contributions of Africans and people of African descent.”
“Grass Roots” traces the parallel histories of coiled basketry in Africa and the United States, starting from the domestication of rice in West Africa, through the transatlantic slave trade, to the migration of African rice culture to America. The exhibition, which addresses the history of the Carolina rice plantations and highlights technological innovations brought to American agriculture by people from Africa, tells the compelling story of the survival of African-American basketry over 300 years. While the need for agricultural forms has declined, coiled baskets continue to be made as objects of beauty. The exhibition focuses on the coastal town of Mt. Pleasant, S.C., across the Cooper River from Charleston, where basket makers have taken control of their craft as independent entrepreneurs.
On both sides of the Atlantic, the art of basketry continues to be passed down from generation to generation. In South Carolina and Georgia, as in many parts of Africa, virtuoso basket makers invent forms, experiment with new materials and perfect the techniques they have learned from their parents and grandparents. The exhibition features baskets made by contemporary American and African basket makers as well as historic examples, some dating to the early 19th century from Low Country rice plantations and African villages.
“Grass Roots” includes five short films that feature basket makers demonstrating their techniques and telling their stories. Botanists describe experiments in the cultivation of sweet grass and archival footage shows rice processing and basket making in Africa.
Programs and Catalog
Free activities that complement the exhibition include lectures, film screenings, a book signing, musical performances, a roundtable discussion with Gullah community leaders, a Gullah culinary demonstration and tasting and school art workshops. Visit africa.si.edu for a complete schedule.
The exhibition is accompanied by an illustrated full-color catalog with essays by scholars of African and American history and art. The publication will be available in the museum store.
Organizer and Sponsors
“Grass Roots: African Origins of an American Art” is organized by the Museum for African Art in New York, in cooperation with Avery Research Center for African American History and Culture at the College of Charleston, McKissick Museum at the University of South Carolina and the Sweetgrass Cultural Arts Festival Association.
“Grass Roots: African Origins of an American Art” has been supported, in part, by grants from the National Endowment for the Humanities, the National Endowment for the Arts, the Gaylord and Dorothy Donnelley Foundation and the MetLife Foundation’s Museums and Community Connections Program. The National Endowment for the Humanities honored “Grass Roots” with a “We the People—America’s Historic Places” designation. Additional funding for the video components has been provided by the Henry and Sylvia Yaschik Foundation, the South Carolina Humanities Council and the South Carolina Arts Commission.
About the National Museum of African Art
The National Museum of African Art is America’s premier museum dedicated to the collection, conservation, study and exhibition of traditional and contemporary African art. The museum is open daily from 10 a.m. to 5:30 p.m., except Dec. 25. Admission is free. The museum is located at 950 Independence Avenue S.W., near the Smithsonian Metrorail station on the Blue and Orange lines. For more information about this exhibition, call (202) 633-4600 or visit the museum’s website at africa.si.edu. For general Smithsonian information, call (202) 633-1000 or TTY (202) 633-5285. # # #
Media Only Janice Kaplan (202) 277-5461 Kimberly Mayfield (202) 633-4649 Media Preview: Tuesday, June 22 9:30-11:30 a.m.
Wednesday, April 21, 2010
National Museum of African American History and Culture Launches Landmark Exhibition Celebrating the Apollo Theater
Exhibition Explores the Theater’s Impact on American Entertainment.
The first exhibition to explore the Apollo Theater’s seminal impact on American entertainment premieres April 23 and continues through Aug. 29. Presented by the Smithsonian’s National Museum of African American History and Culture in collaboration with the Apollo Theater Foundation, “Ain’t Nothing Like the Real Thing: How the Apollo Theater Shaped American Entertainment” examines the rich history and cultural significance of the legendary Harlem theater, tracing the story from its origins as a segregated burlesque hall to its starring role at the epicenter of African American entertainment and American popular culture. The opening of the exhibition marks the 75th anniversary of the Apollo Theater.
Presented in the NMAAHC Gallery in the National Museum of American History, “Ain’t Nothing Like the Real Thing” is one of several touring exhibitions presented by the museum in major cities across the country. The exhibition will travel to Detroit’s Charles H. Wright Museum of African American History (Oct. 1 – Jan. 2, 2011) and the Museum of the City of New York (Jan. 20, 2011 – May 1, 2011). The exhibition tour will be organized by the Smithsonian Institution Traveling Exhibition Service (SITES).
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Peg Leg Bates’ peg leg—Despite losing his left leg in an accident at age 12, Bates pursued his dream of tap dancing. By the mid-1930s, he was an Apollo regular.
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Duke Ellington’s score for Black and Tan Fantasy (1927)—The legendary jazz composer and bandleader wrote some of the best-known compositions in American music.
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Ella Fitzgerald’s dress—Fitzgerald made her Amateur Night debut at the age of 17.
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Miles Davis’ flugelhorn—Davis frequently headlined at the Apollo.
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LL Cool J’s jacket and hat—LL Cool J remains one of today’s best-known rappers.
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Celia Cruz’s dress—Known as the Queen of Salsa, Cruz was a symbol of Afro-Cuban music throughout the African diaspora.
Featured objects are drawn from a number of private and publicly held collections, including those at the African American Museum of Philadelphia, the Ella Fitzgerald Charitable Foundation, the Library of Congress, the Museum of the City of New York, the National Afro American Museum of Ohio, the Rock and Roll Hall of Fame and the Smithsonian’s National Museum of American History.
Celebrating its 75th anniversary in 2009-2010, the Apollo Theater, a non-profit institution, is one of Harlem’s, New York City’s and America’s most enduring cultural treasures. The Apollo was one of the first theaters in New York—and the country—to fully integrate, welcoming traditionally African American, Hispanic and local immigrant populations in the audience, as well as headlining uniquely talented entertainers who found it difficult to gain entrance to other venues of similar size and resources.
Since introducing the first Amateur Night contests in 1934, the Apollo Theater has played a major role in cultivating artists and in the emergence of innovative musical genres, including jazz, swing, bebop, R&B, gospel, blues, soul and hip-hop. Ella Fitzgerald, Sarah Vaughan, Billie Holiday, Sammy Davis Jr., James Brown, Michael Jackson, Gladys Knight, Luther Vandross, D’Angelo, Lauryn Hill and countless others began their careers on the Apollo’s stage. Based on its cultural significance and architecture, the Apollo Theater received state and city landmark designation in 1983 and is listed on the National Register of Historic Places.
An exhibition companion book, with a foreword by Smokey Robinson, Motown singer, songwriter and producer, and an introduction by Bunch, features historic photographs and essays by 23 historians, musicologists and critics, including Princeton University scholar Kandia Crazy Horse, Pulitzer Prize-winning historian David Levering Lewis, author of W.E.B. DuBois: A Biography and Robert O’Meally, founder of the Center for Jazz Studies at Columbia University.
The National Museum of African American History and Culture was established in 2003 by an Act of Congress, making it the 19th Smithsonian Institution museum. It is the only national museum devoted exclusively to the documentation of African American life, art, history and culture. The Smithsonian Board of Regents, the governing body of the Institution, voted in January 2006 to build the museum on a five-acre site adjacent to the Washington Monument on the National Mall. The building is scheduled to open in 2015. Until then, NMAAHC is presenting its touring exhibitions in major cities across the country and in its own gallery at the National Museum of American History.
The NMAAHC Gallery at the National Museum of American History is located at 14th Street and Constitution Avenue N.W. in Washington, D.C. It is open daily from 10 a.m. to 5:30 p.m., except Dec. 25. Admission is free. For more information, visit nmaahc.si.edu or call (202) 633-1000, (202) 633-5285 (TTY). # # # SI-164-2010
Tuesday, April 20, 2010
IU Soul Revue's spring concert May 1 will show how 'soul speaks' to everyone
BLOOMINGTON, Ind. -- The IU Soul Revue at Indiana University will present its annual spring concert on Saturday (May 1), 8 p.m., at the Buskirk-Chumley Theater, 114 E. Kirkwood Ave. in downtown Bloomington.
The theme of this year's concert is "Soul Speaks." This premise is based on the fact that black popular music always has provided commentary on the social conditions of African Americans. The IU Soul Revue is one of three student performance ensembles in IU African American Arts Institute, which turns 35 this year.
The concert will feature the Soul Revue performing music of various genres such as rhythm and blues, funk and other current popular songs, which are all under the heading of soul music.
Acting director Tyron Cooper said, "This show might prompt the audience participant to dance, clap, stomp, shout, laugh, cry and reflect on the myriad ways that soul music expresses a spectrum of meanings and definitions for African Americans and the broader society."
IU Soul Revue Courtesy of Indiana University. | He said the Soul Revue will bridge the gap between entertainment and enlightenment, as the audience will enjoy and realize the grooves and deep implications of black popular music. Ticket prices are $20 for adults and $10 for children and students with ID (limit two per student). They are available at the Sunrise Box Office, located adjacent to the Buskirk-Chumley Theater. FOR IMMEDIATE RELEASE April 20, 2010 Media Contacts Olivia Hairston African American Arts Institute olihairs@indiana.edu 812-855-5427 |